• Empire of the Sun artwork
• Film graphic

Classic artwork

Windows is a popular operating system and it can also be a great cross-platform development environment. This section describes cross-platform features such as the Windows Subsystem for Linux (WSL) and the Windows Terminal bellagio casino hosts.

Open source command line interface for Visual Studio Team Services from Windows, Linux, and Mac. Manage pull requests, builds, work items, and more directly from a command prompt or from scripts. See the docs for more information. For manual download and install steps check out these links – Windows, Linux, Mac.

VS Code ships monthly releases and supports auto-update when a new release is available. If you’re prompted by VS Code, accept the newest update and it will be installed (you won’t need to do anything else to get the latest bits).

Remote Tools for Visual Studio 2022 enables app deployment, remote debugging, remote testing, performance profiling, and unit testing on computers that do not have Visual Studio installed. Use of this tool requires a valid Visual Studio license.

Tackle complex, multi-step tasks. Agent mode reads your codebase, suggests edits across files, runs terminal commands, and responds to compile or test failures — all in a loop until the job is done. Further refine agent mode to fit your team’s workflows with VS Code extensions and Model Context Protocol (MCP) servers.

Empire of the Sun artwork

Toshio Fukada (Japanese, 1928-2009) The Mushroom Cloud – Less than twenty minutes after the explosion (4) 1945 Tokyo Metropolitan Museum of Photography © The estate of Toshio Fukada, courtesy Hiroshima Peace Memorial Museum

“Cuesto del Plomo,” hillside outside Managua, a well-known site of many assassinations carried out by the National Guard. People searched here daily for missing persons. July 1978, from the series, “Reframing History,” Managua, July 2004

Chloe Dewe Mathews (British, b. 1982) Former Abattoir, Mazingarbe, Nord-Pas-de-Calais 2013 Eleven British soldiers were executed here between 1915-1918 From the series Shot at Dawn © Chloe Dewe Mathews

Toshio Fukada (Japanese, 1928-2009) The Mushroom Cloud – Less than twenty minutes after the explosion (4) 1945 Tokyo Metropolitan Museum of Photography © The estate of Toshio Fukada, courtesy Hiroshima Peace Memorial Museum

“Cuesto del Plomo,” hillside outside Managua, a well-known site of many assassinations carried out by the National Guard. People searched here daily for missing persons. July 1978, from the series, “Reframing History,” Managua, July 2004

Film graphic

Atkins got her start out of college working on the third season of The Tudors and has since built a career out of graphic design for film, often hand-making objects for productions so that they are as accurate to the time period as possible. Aktins’ work with Anderson is her best known, largely because of the nature of Anderson’s films.

“The first thing to know is that every project is different and will have different needs. Features and episodic are also very different animals, in terms of prep time and managing the workflow during filming. Typically the graphic designer is one of the final members to come onto the art department. The Production Designer, Art Directors and Set Designers have already been very busy getting construction going, and it’s up to us to come in and work on the specific art unique to this new world. Getting familiar with the script and the needs of the project are the main focus early on, and meetings with the director/writers is not common during prep. Those meetings happen with the department heads, while the rest of the crew is busy doing what they do best, trying to make those words on a page into something an audience will enjoy.”

Lastly, Mira stresses the importance of being able to keep a cool head. “There can be a lot of putting out (metaphorical) fires in this industry, and panicking is just completely unhelpful,” she says. “People who are calm under pressure, willing and flexible are all good traits to have in this industry.”

Atkins got her start out of college working on the third season of The Tudors and has since built a career out of graphic design for film, often hand-making objects for productions so that they are as accurate to the time period as possible. Aktins’ work with Anderson is her best known, largely because of the nature of Anderson’s films.

“The first thing to know is that every project is different and will have different needs. Features and episodic are also very different animals, in terms of prep time and managing the workflow during filming. Typically the graphic designer is one of the final members to come onto the art department. The Production Designer, Art Directors and Set Designers have already been very busy getting construction going, and it’s up to us to come in and work on the specific art unique to this new world. Getting familiar with the script and the needs of the project are the main focus early on, and meetings with the director/writers is not common during prep. Those meetings happen with the department heads, while the rest of the crew is busy doing what they do best, trying to make those words on a page into something an audience will enjoy.”

Lastly, Mira stresses the importance of being able to keep a cool head. “There can be a lot of putting out (metaphorical) fires in this industry, and panicking is just completely unhelpful,” she says. “People who are calm under pressure, willing and flexible are all good traits to have in this industry.”